Curated navigational map — evidence, sources and provenance

Evidence, Sources & Provenance: what has to stay attached?

This matrix begins with the source, not with the conclusion. The rows are different evidence and source states: an original document, a secondary account, an official dataset, a living witness, a recovered archive, a mutable web source, something missing, a computational workflow or a posthumous archive.

Across the top are the things Keith repeatedly does to stop those sources becoming anonymous evidence: trace where they came from, keep ownership visible, check them, record their state, carry context forward, make them inspectable, revise after new evidence — and leave loss or uncertainty attached when it cannot honestly be repaired.

Boundary: provenance is not validity. Persistence is not quality. Reproducibility is not correctness. An official source can change. A living witness can be consequential without becoming final adjudication. An archive can exist without being complete. Making something public does not make it trustworthy, reusable or ethically available for every purpose.

Hover or focus a heading for its meaning. Hover a source link for the exact-cell explanation; click or tap it to hold the source card open. Repeated references highlight so the same source can be followed through different provenance problems.

Custody & persistenceWhat Has to Travel with Knowledge? Changing evidenceWhat do you do when the evidence is not enough — or changes underneath you? Evidence limitsWhen a Limit Actually Constrains the Account Historical recoveryWho Is Missing From the Origin Story? Voice & testimonyWho Gets to Speak?
36 curated Clyde Street sources 228 exact-cell entrances ● Keith’s own synthesis/response substantive ◐ Keith + substantial external material ○ later/other person’s substantive work dominates
Choose any source link
A source can survive and still lose what made it intelligible.

The full card will show what the source is about, why it belongs in the exact crossing you chose, the evidential or ownership boundary, and routes back to Clyde Street or onward into related reader-facing work.

WHAT kind / state of source is in view? ↓HOW does Keith keep the source accountable? →